前身是皇軍(jun1 )軍港的吳港,戰後成為(🐌)船塢(🔼)工(gōng )(🌰)人的生活煉獄。在資本家剝削和枯燥生活的雙(🌰)重煎熬下(xià ),躁動的(de )年輕生(shēng )命,一(🎲)頭栽進(🌗)暴力漩(xuán )渦,延(yán )擱成(chéng )長,終(zhōng )日(rì )在打鬥、賭博、酗酒(💆)中尋(🔲)找(zhǎo )暫時(🚉)的麻醉。吉(jí )田喜重通(🥞)過(🗑)工頭(tóu )之眼(yǎn ),對不合理的(🥀)社(🕕)會現實作出(chū )欲迎還拒(jù )的批判,被視為日本新浪(😞)潮代表作(zuò )(💱)之一。香山(㊗)美子飾(shì )演(🗞)純(🙂)真(zhēn )的酒館(guǎn )女(nǚ )(🏂)待,同情工人卻慘被強(💪)姦,正與(🈴)負的(de )(⛏)能(néng )量(liàng ),在大時(🚻)代(dài )中比拼互滲,可有超越(🥕)對與錯,是與非的位置?片末火車站送別一場,在家(💍)和社會之間,吉田喜(🌹)重(chóng )(⛏)作(zuò )出了(🥋)左翼的(de )(🌪)選擇(🌼)。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. (💝)- SummerIFF 2007
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