前(qián )身是皇(huáng )軍軍(🔨)港(🆓)的吳港,戰(zhàn )後(hòu )成為船塢工人的(de )生活(huó )(🕟)煉獄(🛍)。在(zài )資本家剝(🎺)削和(hé )枯燥生活的雙(shuāng )重煎熬下,躁動的年輕生命,一(🎲)頭栽進(jìn )暴力(♑)漩渦,延擱(gē )成長(zhǎng ),終(zhōng )日(🎩)在打鬥、賭博、酗酒中(✳)尋找暫時的麻(má )醉。吉田喜(xǐ )(🎿)重通過(🗑)工(gōng )頭之眼,對不合理的(de )社會現實作(zuò )出欲(yù )迎(yíng )還拒的批判,被視為日(rì )本新(⏯)浪(😞)潮(🖲)代(🔢)表作(zuò )之一。香山(㊗)美子飾演純(chún )真的(🔝)酒(✋)館女待(dài ),同情工人卻慘被強姦(⛓),正與負(🍄)的(⛏)能量(🤷),在大時(🚻)代(🤲)中比拼互滲,可(🏯)有超越(yuè )對(duì )與錯,是與非的位置(👣)?片末火車站送別一場,在家和社(🐾)會之(zhī )間,吉田喜重作(🐨)出(chū )(👪)了左翼的(🌪)選擇(zé )。 (📟)One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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